Whatever else he may be, he gets this sort of thing mostly right:
At present, contemporary novelists are increasingly eager to "tell us about the culture," to fill their books with the latest report on "how we live now." Information is the new character; we are constantly being told that we should be impressed by how much writers know. What they should know, and how they came to know it, seems less important, alas, than that they simply know it. The idea that what one knows might – to use Nietzsche's phrase – "come out of one's own burning" rather than free and flameless from Google, seems at present alien. The danger is that the American fondness for realism combines with this will-to-information to produce a hyperliteralism of the novel: you can see this in Tom Wolfe....

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